NO FILM SCHOOL. NO TRUST FUND. NO PROBLEM.
I strongly suggest you review Part 1 & 2 in earlier blogs which will give you a foundation before jumping into the below. Here we go into the materials you should have ready before pitching and reall...
So in our last post we discussed your initial list and casting strategy. Your next step is to prepare to go out to the talent. Please note: in an ideal world you would be working with a casting direc...
For months now we have been in the phase of pitching both directors and talent for upcoming projects. A process that is both exciting and an exercise in patience and persistence. This is also a topic ...
In followup to last week's Happy Hour Guest Bruce Nash, Sara Elizabeth is sharing 4 ways the data from detailed comps can help guide your film to a path of success.
Check out The Numbers which also ...
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Brene Brown said something that really resonated with me as a filmmaker as I constantly navigate advice, naysayers, critics and "experts".
“A lot of cheap seats in the arena are filled with people...
Your deck is a visual representation of your film that must entice, inform and persuade. The images you choose are key in creating tone and taking the viewer on a journey that is tonally in line with...
What is something you can do for your craft this week?
Read a script that is getting great reviews. The more you read fabulous scripts, the more you innately begin to develop an ...
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